Russia - Moscow

 

Photo credit: By Ludvig14 - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=31764182

We arrive in Russia's capital Moscow, home to the Kremlin, the centre of power, and unsurprisingly a rich music scene. We'll just scrape the surface with some local acts.  First up is all female ethno-experimental quartet FolkBeat, who started life in 2012.  They combine traditional Russian folk songs with contemporary pop idioms using beatbox techniques and loop stations incorporating hip-hop, drum'n'bass, jungle and punk influences.  Here is a song from their 2016 album FolkBeat & Friends - The Joyful Meeting called I Can't Stand It:

Folk & jazz composer and performer Sergey Starostin was born in Moscow was born in Moscow in 1956 and is famous for his modern interpretations of archaic Russian, Tuvan and Sámi folk music often combined with jazz.  He went through several phases from traditional to more jazz influenced music and back to his original roots.  He collects and makes some of his own instruments including various flutes such as the kalyuka overtone flute and reed instruments.  During his research he recorded thousands of tracks of authentic songs and instrumental compositions.  On his 2004 album Easy As Pie he combines with percussionist Mario to produce a very pared back folk album, which was a result of a jam session.  It includes a version of this song called Deep:

Singer/songwriter Inna Zhelannaya (b. 1967 in Moscow) started her career in rock music as part of various bands and writing her own material.  In 1989 she began collaborating with the above mentioned Sergey Starostin, who introduced her to folk music.  In 1994 she founded her own rock band called Farlander, with whom she performed for nearly two decades.  In 2013 she changed direction again with a new band, incorporating more folk elements as well as psychedelic rock, producing her own psych folk style.  Her 2014 double album Izvorot (The Bending) received much critical comparing her to King Crimson meeting Russian roots.  This a song from the album called Palisade:

Experimental singing group the Dimitri Pokrovsky Ensemble was founded in 1973 in Moscow by Dimitri Pokrovsky himself and his wife Tamara Smyslova to research, collect and perform traditional Russian village music.  Pokrovsky has since died in 1996, but the choir goes on and has recently celebrated its 50 birthday.  Here's a track from their 1991 album The Wild Field (re-released in 2019) called Mosquito:

Gypsy guitarist Vadim Kolpakov was actually born in Saratov in 1981 near the Caspian Sea, but is now based in Moscow.  He is the third generation in his family playing the 7-string gypsy guitar.  Together with his uncle Alexander he formed the Kolpakov Duo.  Here are the 2 opening tracks of their 2010 album Introducing the Kolpakov Duo called Suite of Gypsy Tunes and Dui,Dui:

In the mid 1980's, when Perestroika and Glasnost began to bloom in the old Soviet Union, 4 students around Igor Yuzov got together playing music in their dorm.  Rock'n'roll was still banned, but having a rebellious streak they combined Russian folk with this decadent western genre to create their own Russian folk'n'roll.  They called themselves Limpopo after the river in Southern Africa, because it sounded exotic.  They were having a lot of fun together and at their peak performed at a Soviet/American peace walk.  That's where Igor met an American woman, got married and emigrated to California.  Soon the other band members followed him and they reformed, initially busking on the streets of Santa Monica, adding ridiculous dance moves and a good dose of humour to their performances.  They became so popular that they were discovered by a producer who invited them to record their song.  They went in for one session in which they recorded 20 songs, which became their debut album Crazy Russian Folk'n'Roll in 1991.  Later they entered a talent competition, which they won.  Nowadays they go under the name of the Red Elvises with some changes in personnel.  Here is the winning entry to the talent show called Korobeyniki, which features on the debut album:

 

I can't find out much about singer Anna Hoffman, other than she is based in Moscow and specialises in Sephardic music, the music of the Jewish community that inhabited the Iberian peninsula until they were largely expelled by the late 15th century.  They spoke their own Spanish dialect called Ladino and mixed cultural influences from Spain, North Africa, Turkey and the Balkans.  Hoffman's voice is strong and expressive as her backing band Romancero Sefardi subtly accompanies her.  Here is a short concert of hers showing women's songs of the sephardic tradition, some of which feature on her 2013 album Juego de Siempre:

Finally the all female vocal ensemble and internet sensation Beloe Zlato (White Gold) originally formed in the city of Norilsk in deepest Siberia, but are now based in Moscow.  They all studied music and got together over their shared love of traditional Russian folk.  They made a name for themselves on YouTube performing in romanticised rural settings, wearing simple dress, sometimes traditional costumes, sometimes just jeans and T-shirts, singing in beautiful harmonies a Capello or accompanied by a balalaika.  Their recorded music is not available on the usual channels, but their videos are a joy to watch, as they exude a fresh and carefree energy.  Here is an example of a song called A Week:

That's it from Moscow, next we're heading towards St. Petersburg.  As usual, you can follow my virtual ramblings on my Tripline map.

Russia - Sverdlovsk Oblast to South of Moscow

 We'll be covering a lot of mileage on this post, all the way from just east of the Ural Mountains to the Black Sea and anything else south of the capital Moscow.  We start this leg of our virtual tour through Russia across the Urals in the Sverdlovsk Oblast and in what is technically speaking our first stop in Asia being located just east of the Ural Mountains.  First stop is the town of Verkhnyaya Salda, where singer / songwriter and poet Olga Arefieva was born in 1966.  She is very much a folk rocker, incorporating elements of reggae and hip hop.  Looking at the translations of her lyrics you can see the poet in her.  Like in this song called У попа была собака (The Priest Had a Dog) from her 2016 album Глина (Clay).  It describes the struggles of a priest as he doubts his calling and gets crushed by the questions of the world, but his dog teaches him to live in the moment. 

"The dog wiggled its tail and nose,

She asked a bunch of questions:

No, not about why he’s crying -

But about running, walking and playing ball."

 

Next we are heading to the administrative capital of the Sverdlovsk Oblast, Yekaterinburg, formerly known as Sverdlovsk.  The fourth largest city in Russia it is considered a cultural centre, and the main musical genre associated with it is Ural Rock, which we won't go into.  Multi-instrumentalist Katya Yonder was born and raised here.  Living on the border between Europe and Asia she has long had an interest in musical influences from both continents.  She lists her influences as anything from 80's pop to old video game soundtracks and Japanese animes, ending up with an ethereal ambient pop sound singing in Russian, English, Japanese and French, which actually is quite pleasing. Here's a song from her 2020 album Multiply Intentions called Вновь и вновь (Again and Again):

Next we are heading south a bit to the city of Chelyabinsk in the oblast of the same name.  It is sometimes known as the gateway to Siberia and is therefore not surprising to hear sounds normally associated with the people from further east like Tuva and Mongolia, namely throat singing.  Shaman, throat singer and mouth harp player Tyurgen Kam was born there.  His mission is to bring throat singing to a younger audience incorporating electronic influences and sometimes dancefloor rhythms to his music.  He even appeared on Ukraine has got talent some years ago (obviously before the current conflict).  Here's a track from his 2013 album Bear Trail:

We are crossing back across the Urals into European Russia to Volgograd (formerly known as Stalingrad) in the oblast of the same name.  It is part of larger region which is home to another ethnic minority, the Cossacks.  Historically they were a group of semi-nomadic, semi-militarized people, who in return for military service were given a certain autonomy from the Russian Empire.  During the Communist era they were disbanded and consequently some fought for the other side during World War II.  Between 3.5-5 million people now identify as Cossacks.  

In 2016 the Ensemble of Ancient Cossack Song Kazachya Sprava was founded in Volgograd.  They perform traditional a cappella songs dressed in traditional costumes and uniforms.  Many of the songs have a military theme to them, reflecting their history as an army force.  Here is a live performance of a song from their 2019 album The Sun Will Give the Morrow Birth:

Next we are making another giant leap all the way to the Black Sea coast to the town of Tuapse in the Krasnodar Krai.  This is where balalaika virtuoso Alexey Arkhipovsky was born in 1967.  Now if Russia has a national instrument it is this simple 3-stringed instrument with a triangular body.  In the hands of Arkhipovsky it becomes almost unrecognisable, so much so that he is sometimes known as the Paganini or Jimi Hendrix of the balalaika.  He performs it solo with incredible skill.  His most famous tune is Zolushka (Cinderella) from his 2013 album The Road to Home:

Heading 1000km north we arrive in the city of Voronezh in the oblast of the same name.  This is where folk band Trio Voronezh were formed in 1993 by graduates of the Academy of Music by Vladimir Volokhin on the domra (small Russian lute), Sergei Teleshev on the bayan (a Russian chromatic button accordion) and Valerie Petrukhin on double bass balalaika.  They play Russian and international folk tunes as well as classical pieces and have toured abroad extensively.  In fact their springboard to international fame was when they were 'discovered' busking in a Frankfurt subway station. Here is a tune from their 2014 self-titled album called New York Tango:

Next we go west a bit to the Belgorod Oblast and the town of Prokhorovka, famous for a massive tank battle during World War II.  It is also home to electro-folk outfit Staritsa.  They are really only a duo although they sound like a much bigger band filling their music with electronic rhythms, but having Russian folk songs as their heart singing in beautiful harmony accompanied by electric guitar or balalaika.  They have set out to break through common stereotypes of stuffy Russian folk by giving it a modern twist.  The title of their 2021 album Klyukva means cranberry but is also is a Russian idiom which refers to westerners perceiving Russia as other and reinforcing stereotypes of the balalaika, borscht and bears.  Here's a song from the album called Oh Polno, Polno:

Finally we finish off today in the city of Belgorod itself, where folk-rock band Narechie hail from.  Narechie means adverb in Russian, which means if you google their name, you get a lot of articles and videos on grammatical rules.  They combine electric guitar, bass and drum with traditional Russian polyphonic singing with a clarinet thrown in for good measure to give a touch of jazz.  Here's a song from their 2021 album From the Town called Porushka Paranya - Superstar:

That's it for today, next our virtual travels will take us to Moscow.  In the meantime you follow my virtual trip on my tripline map.

Russia - Karelian Republic to the Ural Mountains

 Russia might not be flavour of the month at the moment, but we'll ignore the politics for the moment and concentrate on its music.  I have never been to Russia, nor do I anticipate visiting it any time soon, but as we all know it's a vast country consisting of 46 oblasts, 22 republics, 9 krais, 4 autonomous okrugs, 3 federal cities and 1 autonomous oblasts.  We won't be visiting all of theses administrative regions, but for now just race through the European part of the country west of the Ural Mountains, taking a particular interest in music from minority groups.

We start just over the Finnish border in the Karelian Republic, where folk fusion band Va-Ta-Ga were founded in 2000 in the city of Petrozavodsk, initially under the name Reel.  Their original name was due to the fact that they liked to incorporate elements of Irish folk into their Karelian and Russian folk.  Here's a song from their 2002 debut album Странные люди (Strange People) called Поморская (Pomorskaya):

Here's a song from their later incarnation as Va-Ta-Ga from their 2007 album Mikuliny Gory Called Cockroach (Tarakan):

Next we are heading several hundred kilometres south to the Yaroslavl Oblast, conveniently located between Saint Petersburg and Moscow, and more specifically to the city of Rybinsk.  This is where folk rock outfit Raznotravie were formed in 1997.  They combine old Slavonic poetics and music traditions with a more modern rocky sound.  In addition to drums, bass and electric guitar they use a number of traditional instruments such as mouth organ and a hurdy-gurdy they made themselves from an old child's cello strung with guitar strings.  Here is the title track from their 2001 album Каторга (hard work):

We take another massive leap southeast to the Republic of Mordovia and its capital of Saransk, situated between Moscow to the west and the Volga river to the east.  This region is home to the ethnic Mordovians with their own culture and 2 distinct languages, namely Erzyan and Mokshan.  Sadly the languages are dying out as more and more people identify as Russian and only pockets of the old culture remain in remote villages.  in 2010 folk ensemble Merema set out to find and research the traditional music of the region and reviving it both in performances and recorded music, which won them the 2017 Russian World Music award.  They are proudly not state sponsored. Merema in Erzyan means 'story' or 'legend'.  Here's a song called Shakshata (Woodpecker) from their 2023 album Eryamon' Koytneva, which has more than a passing resemblance to a song by Swedish/Finnish outfit Hedningarna called Tuuli:

Similarly the neighbouring Republic of Chuvashia has its own language and culture, which are sadly in decline.  Chuvash indie-folk band Tarai, although now based in Talinn, Estonia, aim to reverse this trend.  Some of their lyrics are openly political, lamenting the loss of their culture.  Their song Пуш Параппан / Empty Drum, the title track to their 2022 album, is an example, criticizing the older generation of their homeland for not upholding their language and traditions.

Next we are heading to the Republic of Udmurtia just west of the southern Ural mountains and the city of Sarapul.  This is where singer/songwriter Zulya Kamalova was born in 1969, although she has since decamped to Melbourne, Australia.  She is of Volga Tatar descend, which is the largest ethnic minority group in Russia.  She now simply goes by her first name and, playing with her backing band Children of the Underground, is now known for her interpretations of Tatar music blended with more contemporary Australian influences.  Here is the opening track from her 2019 album Six Days Loving / Алты көн ярату called First Day / Беренче:

I think we have covered enough mileage for today across the vastness of European Russia.  Next time we'll pop across the Urals for a couple of stops before heading west again to explore the south of the country.  In the meantime, as usual you can follow my virtual travels on my Tripline map. 

Finland - The East

 

Picture credit: By Lobke Thijssen - Own work, CC BY-SA 2.5, https://commons.wikimedia.org/w/index.php?curid=849212

Finally finishing off our tour of Scandinavia, we are heading for the east of Finland and the region of North Karelia.  The historical region of Karelia also spreads partially into Russia, has its own culture and is seen by some as 'purer' Finnish.

We begin with prog-folk band Auri, whose connection to the region is keyboard player and backing singer Tuomas Holopainen, who was born in Kitee, North Karelia.  We have already met the band of course in Johanna Kurkela's (lead singer and wife to Tuomas) home region of Ostrobothnia.  This is a song from their 2021 album Auri II - Those We Don't Speak of called Pearl Diving:

Next we are heading to the municipality of Rääkkylä in North Karelia, which despite its small population has produced a lot of good music, including Finland's most internationally renowned folk band Värttinä.  They started off in 1983 by sisters Sari & Mari Kaasinen and nowadays consist of 3 female vocalists, supported by 3 instrumentalists.  They are heavily influenced by Karelian folk traditions and sing in the local dialect, but incorporate many more contemporary sounds.  Here is a single they released in 2013 called Lasetus:

Sari Kaasininen went on to teach children music in her home village and one of her prodigies was kantele player Marjo Smolander (born 1986 in Rääkkylä).  She has developed a unique way of playing Finland's national instrument.  After travelling extensively in West Africa, Senegal and Mali in particular, she has developed techniques similar to the kora players of the region, but still grounded on her own Finno-Ugric traditions.  For her 2021 album Cosmology she has collaborated with various African musicians to produce a beautiful mélange.  Here is song from the album with Gambian kora player Dawda Jobarteh called Kukkani (My Flowers):

Marjo Smolander is alsp part of the duo Zäpämmät, together with percussionist Pauliina Kauppila.  They delve deep into Finnish folk with hints of West African and Cuban influences.  Here is a track from their 2020 EP Zäpämmät for Peace called Miljoonia (Millions):

Next we're heading a bit north to the city of Joensuu, still in North Karelia.  This is where folk duo Hurja Halla are based. Theirs is an unusual instrument combination of cello (Liisa Haapanen) and jaw harp, overtone flute and harmonica (Janne Ojajärvi), with which they produce a surprisingly contemporary sound, yet rooted in Nordic folk.  Here's the dramatic title track of their 2022 album Riitti set in the beautiful wild landscape of eastern Finland.

And finally we are heading further north again to the town of Kajaani, capital of the Kainuu region, which is where saxophonist Sakari Kukko was born in 1953.  In 1974 he founded the jazz fusion band Piirpauke and today is the only original member still involved.  In their long illustrious career they released 20 studio albums, plus numerous live albums and compilations.  Their list their world music influences is too long to list here.  Their most famous tune was Konevsky Kirkonkellot, which reappeared on a compilation called Jazz-Liisa 15 in 2017.  Here's a beautifully dated 1975 version of it:

That's it from Finland and Scandinavia, next we are heading into Russia, although I'll be on some real travels around Iberia and France for the next 3 weeks or so, so there'll be a break again in posts.  In the meantime you can follow my virtual travels on my Tripline map.

Finland - Helsinki Part III & The Rest of Uusimaa

 As we carry on our exploration of the music of Helsinki we first encounter percussionist Minna Koskenlahti.  Her music is difficult to categorise.  She has a back ground in folk music and plays in various bands, but as a soloist she explores the limits and limitlessness of percussion, giving her instruments a melodic approach creating a minimalistic, intensive and hypnotic sound.  Here is the first half of her 2021 album Toinen/Other:

DANTCHEV:DOMAIN is a Helsinki based Finnish/American/Bulgarian outfit, led by Finnish/Bulgarian singer Anna Dantchev.  They dabble in Bulgarian folk combined with Nordic Jazz and cinematic storytelling with splashes of contemporary pop and rock.  Dantchev sings in English and she is supported by a nice brass section as well as a twinkling vibraphone, distorted guitar and punchy bass.  This is the title track of their 2022 album The Lions We Are:

Early music trio Ensemble Gamut! are a collective of early music and folk specialists looking for new ways to perform medieval and renaissance music by combining traditional instruments and electronics in innovative ways to create their own soundscape.  Their name derives from a medieval music theory by Guido of Arrezzo, but also means colour reproduction, whilst the Finnish word kamut means friends and Kamu is shorthand for Finnish folk music.  Here is a track from their 2022 album Ra called Lapsed caick laolacatt:

In 1998 the contemporary dance theatre group Tsuumi was founded, complete with their own in-house band the Tsuumi Sound System, who have since recorded several albums and toured extensively separate from the dance troupe.  Their music is described as world music, but sounds more like Finnish folk rock.  It's definitely rooted in Nordic folk with fiddle and accordion upfront backed by a strong rhythm section and saxophone.  They really seem to rock the place during live performances.  Here is a 10 minute extract from a concert at the Montelago Celtic Festival in 2017.  Some of those tunes can be heard on their 2013 album Floating Letters:

Saxophonist and reed player JoneTakamäki was born in Helsinki in 1955 and has been prominent Finnish avant garde and improvised music scene since the late 1970's.  For his latest collaboration he has teamed up with 2 Turkish musicians, multi-instrumentalist Umut Çağlar (of Konstrukt and Karkhana) and drummer Fahrettin Aykut (of BABA ZULA) to record a live session as Myth of the Drum (2022).  It blends free jazz with East Asian Zen sounds.  Here is an extract from the album:

Finally leaving Helsinki, although we could easily spend more time here, we are staying in the Uusimaa region as we are heading for the town of Kerava, just northeast of Helsinki.  This is where musician and composer Milla Viljamaa was born in 1980.  Her main instruments are piano and harmonium and she dabbles in various genres from folk to chamber music, opera to film music.  One of her most enduring love affairs is the tango though.  She has collaborated a lot with accordionist Johana Juhola, but this tune is from her 2011 solo album Minne and is called Neiti Marplen Tango (Miss Marple's Tango):

Next we are heading east for the town of Loviisa in the region of Uusimaa, where part of the world folk band BergåFolk Project comes from, the other half hailing from Helsinki.  They arrange folk songs from all over the world and give them their own interpretations, singing them in their original languages.  They are quite new on the scene, but are already making waves for their energetic live performances.  Here is an Italian song from their 2022 self-titled debut album called La Donna Ideale (The ideal woman):

That's it from Uusimaa for today, next we are heading to the east of Finland for our last leg of Scandinavia.  In the meantime you can follow my virtual tour on my Tripline map.

Finland - Helsinki Part II

 Continuing our exploration of the music of Helsinki, we start with young progressive folk band Vimma.  Lead vocalist Eeva Rajakangas has been dubbed the Greta Thunberg of Finland for her environmental activism alongside fellow band member and violinist Pessi Jouste.  This apparently is reflected in much of their lyrics, which sadly I don't understand.  Here is a song from their 2019 debut EP Studio Live called Kuu:

Their latest YouTube release that hasn't found it into any recordings yet has some English subtitles and was filmed after a train carrying coal was blocked by the 2 activists and others in protest against climate change and fossil fuel exploration:

 Folk metal band Ritva Nero formed in Helsinki in 2017.  They combine 18th century dance tunes such as Mazurkas, Polkas and Maanitus on instruments such as saxophone, Finnish bagpipes and nyckelharpa with metal drum and bass to create a contemporary party metal folk style of their own.  Here is a tune from their debut 2022 album Immortal Tradition called Master of Maanitus:

Acid folk duo Akkajee consists of two women or 'akkas', akka translating as a head strong woman with a decisive attitude and a sharp tongue, playing the viola and nyckelharpa as well as singing and playing a home made stomp box.  They tell stories (which sadly I can't understand) seasoned with pulsating beats and floating soundscapes.  This is the title track from their 2021 album Lastenkerääjä (Child Collector):

I first came across singer and pianist Vilma Talvite when she started a series on her YouTube channel called 100 songs from 100 countries, where she took her viewers and listeners on a virtual tour of the world during lockdown.  Apart from her solo projects she is also lead singer of the folk/pop band Valma & Varsinaiset.  Here is a song from their 2018 album Laulaja vailla äntää (Singer without a stutter) called Eturivin tyttö (Girl in the front row):

 

Contemporary folk trio Pauanne mix old archive recordings with violin, keyboards and drums and a fascinating blend.  The recordings, some of them 100 years old include spells from Sámi healers, a sermon from a western Finnish prison and cattle calls from Karelia.  They say, they are fascinated by the 'outrageous beliefs' of the past and its endemic prejudices, paranoia, fear of foreigners and persecution of women.  They feel that these traits are still very much alive, just dressed in modern clothes.  Here is a song from their 2019 self-titled album called Siihen laihin eläny (Lived up to that law):

That's where I'll leave it today, as it looks like we will linger a bit longer in Helsinki next time.  Until then you can follow my virtual travels on my tripline map.

Finland - Uusimaa & Helsinki Part I

 Next on our virtual trip around Finland we reach the region of Uusimaa, which includes the capital Helsinki.  First up we stop in the city of Espoo, where the all female kantele quartet Kardemimmit come from.  They were formed about 2005 by 2 sisters Anna & Leeni Wegelius and Jutta Rahmel and Maija Pokela.  Apart from playing various forms of the kantele, the national instrument of Finland, they sing self-composed or rearranged folk songs in tight harmonies inspired by the traditions of different regions from all over the country.  Here is a carefree love song from their 2009 album Kaisla called Huoleton rakkaus:

Also born in Espoo in 1964 is accordionist Maria Kalaniemi, who we met on our last post together with Eero Grundström.  She has also worked with pianist Timo Alakotila, whom we also met last time round.  In 2018 they produced an album together with Johanna & Mikko Iivanainen (vocals and guitar respectively) called Seimiyö.  Here's a song off the album called Heinillä härkien Kaukalon:

Finally we arrive in the capital of Finland and the 'Pearl of the Baltic Sea', Helsinki.  It is ranked as one of the most desirable cities in the world to live and is brimming with culture and music.  I have never been, but it's on the bucket list.

We start with one of my all time favourite acts, the vocal quartet Loituma.  They've been going since 1989 and still occasionally get together, but have only released 2 albums during their long career, both of which are hard to get hold of these days, but they scored one huge hit, when initially a Flash animation featuring their song Ievan Polkka went viral.  An old performance from 1996 of the full song soon surfaced and went viral too.  The song featured on their 1995 self-titled album (later released internationally as Things of Beauty) and reinforces my impression that Finnish is just a joke language...

More recently we have electro folk outfit Okra Playground.  They combine traditional Finnish folk with instruments including the kantele and the bowed lyre with a more modern contemporary approach.  Recently their most recent album Itku won the best European album of the year award from Songlines magazine.  The music is dominated by the 3 female vocalists and strong rhythms.  Here is the title track from the album:

'Vocal folk hop group Tuuletar are also relatively new on the scene.  The all female quartet has made some waves at Womex in Budapest and New Zealand, using only their voices, beatbox and even overtone singing, but deeply rooted in Finnish culture and language.  Here's a haunting song from their 2019 album Rajatila / Borderline called Lähteellä (At the Source):

The first musical instrument I ever set eyes on was probably a harmonica.  My Dad had an old diatonic harmonica from his days in the Rotterdam Harmonica Orchestra (yes there used to be such a thing...), which lived in a drawer of our living room cabinet with old shoelaces, buttons, scissors and other useful paraphernalia.  Later, as a teenager, I got into the blues and as harmonicas were cheap, I bought myself a Hohner blues harp.  I managed to get bluesy sounds out of it almost from the first moment I picked it up and managed to get quite good at it.  People still ask me how I do it, and I literally can't explain it, except that I seem to have a natural affinity with the instrument, even though I rarely play it.

Anyway, this long preamble serves me as an introduction to the next act, the harmonica trio Sväng, who were established by Eero Grundström, whom we met in the last post.  It consists of 4 varying types of harmonica, playing anything from Balkan rhythms, Slavic melancholy to passionate tango, world music from the north and wild improvisations.  It is quite a unique combination.  Here's a funny video of them explaining what their name means, whilst playing harmonica and cooking sausages:

Here's a medley from their 2021 album In Trad We Trust called Katrilla, Pilkkua ja Wappua:

Born in 1966, Sanna Kurki-Suonio has been part of the Nordic neo-folk scene for a long time.  She was a founding member of both Swedish-Finnish act Hedningarna as well as singing and playing the Kantele with Loituma and British/Finnish collaboration SANS.  She has also had a successful solo career with her band the snappily named Sanna Kuurki-Suonion Kuolematon Erikoistysteemi (Sanna Kuurki-Suonio's Unparalleled Special System).  This is more folk informed indie rock with elements of psychedelia. This is a track from their self-titled 2015 album called Häävalssi:

As I said Sanna Kurki-Suonio is also a vocalist for British/Armenian/Finnish quartet SANS.  It's the brainchild of British multi-instrumentalist and zither player Andrew Cronshaw and he is also joined by Armenian duduk player Tigran Aleksanyan and reeds player Ian Blake.  The music is roots inspired, but a conversation of different traditions, including Karelian, Armenian and English folk.  Here is an extract from a Womad concert with some of the songs included on their 2018 album Kulku:

That's it for today, next time we'll carry on exploring the music of Helsinki.  Until then you can check out my musical ramblings on my tripline map.